Disputation of Kiri-Kin-Tha's first Law of Metaphysics

Pahaerallungte Nahallongis sez:

Kiri-Kin-Tha's first law is "Nothing unreal exists". Platonically, this is wrong, but you shouldn't go running to Plato for primitive (and thoroughly flawed) discourse on the ideal and the real. The context which Terrecences first encounter this law on a movie screen is rather delightful irony: the planet Vulcan does not exist, yet it is real.

There are many perfectly consistent worlds which are imaginaries, but because of the way the WSOGMM is strobed for you, these worlds are urukpu: the real (though nonexistent) imaginary. This quality of being interimaginary is commutative. What is urukpu for me, I may be urukpu to it.  There are four sorts of urukpu, generally:

*urukpu apulanai: this is urukpu that can be constructed, drawn out of the imaginary by the distillation of creative energies.
*urukpu thyrrine: this is urukpu that cannot be brought locally: people, nations, actual worlds
*urukpu cypongbaia: this is urukpu that calls to each other. the distant and ethereal references that transcend the indranet, of interimaginaries with a fondness for each other, as if some effervescent limit set of the cosmic mobius inversion refers one thing to another.
*urukpu altahyra: this is urukpu that is unseeable, perfectly consistent other cosmai, all mapped to sunyata locally
*urukpu ayarghu: this is urukpu which is more proximal (say by the thronteareal measure of interimaginaries)
*urukpu storgossil: this is urukpu which is distal (farther away)

There are some things which actually don't exist, even after you topologize the interimaginaries across all strobings of the WSOGMM. These are the undeserved imaginaries. They are called yuhugorhue. (of course, nobody wants yuhugorhue, and some entities can't readily distinguish between yuhugorhue and urukpu).

The Julmun Taxonomy classifies different sorts of entities based on their relationship to the transcendental transformations which the cosmos doesn't actually go through.

The Opai are constantly arriving. One becomes Opai.
The Bravy are those who are departing, or forgetting. One forgets that one is Bravy.
The Toht are those who are neither Opai nor Bravy nor not Opai nor not Bravy.

The Honoy are those who aren't there. And don't fit into the above three categories.
They may have bright eyes, but they're already gone.

The essence of elegant creativity is to find urukpu apulanai and bring it into existence